Showing posts with label race. Show all posts
Showing posts with label race. Show all posts

Friday, February 3, 2012

Recommended: 'Short Eyes' at the LATC

Below is part of statement from Julian Acosta, Artistic Director of the Urban Theatre Movement, used to present the extended run of, Short Eyes, written by Miguel Piñero and currently playing at the Los Angeles Theatre Center. (General $30; Students/Seniors $20; Groups 10+ $20; $10 Thursday).

Although it takes place in a House of Detention that is a living breathing character in the dramatic action, Short Eyes is not about prison. Although a character is accused of child molestation, Short Eyes is not about molestation. Although the characters are all either incarcerated or work for the institution, Short Eyes is not about guards and convicts. . .

Of the few plays I've seen in my life, this one was the most intense. I know for sure that many people in the audience felt the same. One audience member left during the play because the language was very descriptive; and I could hear someone in back of me crying. All this goes to the show all the raw reality and emotion that Piñero was able to capture in his play--and it also shows how real the actors made the characters seem. Stand-out performances include Chris D' Annunzio who played the main guard, Mr. Nett, Matthew Jaeger who played Clark, and David Santana who played Juan.

This was--and still is--a very controversial play, and it won the New York Critics Circle Award and Obie Award for "Best Play of the Year" back in 1974. But this play has not had a formal production on the West Coast in 10 years, so people should take advantage of this extended run that ends March 11, 2012. (It had its first sold-out run at the end of last year).

The questions that this play raises are about justice, fair trials, "guilty until proven innocent," and revenge. It is very well crafted by all the people involved and very much worth seeing. So, go!

Monday, January 30, 2012

Red, White, and Blue Tails

“Buffalo Soldiers”: Oppressed people given guns and sent out to kill other oppressed people.


If Star Wars Creator George Lucas plan was to create a new generation of Buffalo Soldiers with his latest film, Red Tails, then he did a good job trying.

He put together a team of Black talented professionals to make the film; including Director Anthony Hemingway, (previously known for his directing in shows like The Wire); Boondocks creator Aaron McGruder who was one of the writers; and high-profile actors like Cuba Gooding Jr. and Terrence Howard.

With this team Lucas was able to help Red Tails reach the 2nd spot of the Top 10 on its opening weekend. It was a film filled with plenty of action, lots of dog-fight battle scenes. And it was hard not to cheer on the protagonists as they fought Nazis in the air. (How could anyone be against the guys fighting the Nazis???)

But, it cannot be denied that the main thing this film does, is encourage Black people, (and other people of color), to fight for this country--a country that cares nothing about them. The U.S. Air Force loved the patriotic message so much that they even had ads running before the movie and promoted the film on their website.

A lot of commotion was raised by progressive people after Lucas went on The Daily Show with Jon Stewart to promote Red Tails. During the interview he revealed to Stewart that he had to finance the $58-million himself because none of the major Hollywood studios would finance an expensive film with an all-black cast. "It's an all-black movie. There's no major white roles in it at all. It's one of the first, all-black action pictures ever made," he told Stewart.

And, while it is true that there is much racism in Hollywood, this film sets a bad precedent at a time when the U.S. is carrying out two unjust occupations in Afghanistan and Iraq, using drones to drop bombs on countries like Pakistan, and is gearing up for a possible war with Iran.

A couple years back, Carl Dix, spokesperson for the Revolutionary Communist Party, wrote an article called, Don't Be a Buffalo Soldier! In it he says the following:

"Some people think the legacy of the Buffalo Soldiers is something to be proud of. Colin Powell kept a Buffalo Soldier statue on his desk when he was a top official during both of the Bush presidencies. Colin Powell, who tried to cover up the My Lai massacre during the Vietnam war, who was a major architect of the 1st Gulf war and who went to the UN and lied thru his teeth to justify the invasion of Iraq in 2003, finds the Buffalo Soldiers inspiring. He called them "the wind beneath my wings" and especially cited their "loyalty." Later they were sent by the U.S. to fight Mexican Revolutionaries like Pancho Villa. This is a shameful legacy, and it’s no wonder that a war criminal like Colin Powell is inspired by it.

If you follow in the footsteps of the Buffalo Soldiers, you will be called on to do just like they did: commit horrible acts against people who have done nothing to you, and you will do it in the service of a system that has carried out terrible crimes, including against the masses of African-American people, and you may end up giving up the only life you have in the service of that foul system."

Friday, September 30, 2011

Race & Class in Comics: The New Spider-Man

**SPOILER ALERT**

In a previous blog post I talked about a new Spider-Man that was introduced by Marvel Comics last month, and all the outrage it caused among right-wingers because he was a bi-racial teen named Miles Morales. (By the way, he's a Spider-Man set in the Ultimate Universe, which is different from the regular Marvel Comics universe, and where a white Peter Parker still continues to be the regular mainstream Spider-Man).

Well, this month saw the debut of the all new Ultimate Comics Spider-Man #1 where we learn how Miles got his Spider-like powers! It is a very interesting story so far, which is being written by Brian Michael Bendis, (Marvel's top scribe).

More interesting to learn, however, is Miles background. It doesn't seem like he's from a better-off neighborhood. In fact, we learn that the school in their neighborhood is so bad that his parents have added his name for a lottery to get into a charter school, the Brooklyn Visions Academy. Unfortunately, there's only about 40 spots and 700 from his neighborhood have applied.

There is one very touching scene where his parents have all but given up hope, but then the last name--his name--is called and they jump for joy. But Miles sees all the distraught faces on some of the kids who didn't get picked and he does not feel the same joy. "It shouldn't--all these other kids. Should it be like this?" he asks.

This was a very good first issue. We met most of the central characters and found out his origin. I think it's going to be real fun reading this book. Not only watching Miles learn how to be a hero, but also seeing the struggles that any inner-city youth might have growing up. Highly recommended!