Friday, August 26, 2011

Charles Bukowski and the American Dream

My favorite poem by Charles Bukowski is called, “stew,” (from Burning in Water Drowning in Flame: Selected Poems1955-1973 [1997], Black Sparrow Press). It’s a poem that begins with a lunch time meal, goes into describing mundane routines for the day, and then ends with—what I believe—are some of the four greatest lines ever put into a poem: “after we eat/ let's sleep, let's sleep./ we can't make any money/ awake.”

Not sure how other people would interpret this, but to me it reads as an indictment of American capitalism—of the so-called, “American Dream,” in particular. When I read these four short lines, (only 13 words), what I really hear is: “You know why they call it, ‘the American Dream,’ right? It’s because you have to be asleep to believe it.” (I think George Carlin said that).

The poet’s conclusion doesn’t come out of nowhere. As a matter of fact, earlier in the poem, he says, “poverty is a small game you play/ with your time.” This gives the poem a kind of class-character, which is needed because Bukowski was never known as a political poet. But anyone who puts any thought into this piece can come to a similar conclusion of what the poet must have thought of what kind of future this type of society holds for average working-class people. Of course, none of this makes up for the large amount of misogyny that is found throughout Bukowski’s work--nothing can, really. But, still, those last stanzas are worth repeating and pondering over. (Sorry I can’t post the entire poem, but I might get sued).



Paris can wait.
more salt?

after we eat
let's sleep, let's sleep

we can't make any money
awake.

Monday, August 22, 2011

Long Live Joe Strummer! 1952-2002



In honor of Joe Strummer, here's a snippet from an article that appeared in Revolution newspaper a few weeks after his death:

"Thinking about The Clash really brings to mind the space and the oxygen provided by the people's bands. The great revolutionary artists do not simply create inspiring music that exposes people to ideas and politics to change the world. They are a force of attraction that people gravitate towards. Millions come to live their lives by what these artists say, do, mean, and come to exemplify.

You see, The Clash had so much disdain for the bloodsuckers running the world, especially the Yankee fools. As one of the seminal bands of the late '70s punk explosion, where various bands embodied a straight-up fuck-you attitude to the status quo, The Clash also had and gave hope for the future.

From the days of '77 until the very end, Strummer was an internationalist. When The Clash jumped on the scene in England their music fostered and promoted common cause between the white working-class youth, Black people, and immigrants, especially the Dreads who had such an influence on them, helping define much of the band's sound. They embraced and fused dub reggae into their music, and even incorporated the early rap sound when hip-hop was only a baby.

Though I never saw The Clash live I did have the chance to meet Joe four or five times, and all in one night. Last year after I saw Joe Strummer and The Mescaleros he brought a few dozen people out to the bars. And all through the night Joe was talking it up with the people--old friends, new friends, people who didn't know who he was. He would approach you, ask you questions, dis you, talk to you about music, politics, the world, all interspersed with countless anecdotes about his many years making music and meeting people all over the world. With whatever struggles they went through as a band, and the bitterly painful breakup, Joe was so proud of The Clash and what they had done. It was so good to see Joe and his new band. He was carrying the torch, and in listening to their albums and seeing them live it felt like they could come to mean a lot to people. When you saw Strummer on stage, with the younger musicians behind him, it was something else. He was beaming with rapture and had more heart than most artists half his age these days. He stepped to each show like it was a battle, and they were gonna win."

Also, check out this video of Joe Strummer and the Mescaleros cover of "Redemption Song". It's a bad-ass tribute video filmed in New York's Lower East Side when graffiti artists Zephyr and Revolt where painting a mural in his honor. It has a lot of cool cameos, including one from the author of the article above. I really love the intro to the video; Strummer says some really beautiful things: "I'd like to say that people--people can change anything they want to. And that means everything in the world. Show me any country and they'll be people in it; it's time to take the humanity back into them--the center of the ring, and follow that for a time. You know, think on that: without people, you're nothing."

Friday, August 19, 2011

More L.A. Rising Afterthoughts




Some of you might remember my blog post from earlier this month after attending L.A. Rising. Well, the latest issue of Revolution newspaper also has an article about the big concert, but focused more around building the movement for revolution and also what some of the concert-goers are thinking about these days, (which I thought was pretty cool). Here's a small sample:

"Tens of thousands of young people from different backgrounds (with lots of 20- and 30-somethings as well) came from all over California; Arizona, New Mexico and Texas; Minnesota and Wisconsin and Boston, Massachusetts; from Canada, France and beyond... to hear a unique lineup of bands at the Los Angeles Coliseum that featured Rage Against the Machine, Muse, Lauryn Hill, Rise Against, Immortal Technique and El Gran Silencio from Monterrey, Mexico.

"The July 30 concert was called L.A. Rising, and it was a phenomenal event, in many different ways. The coming together of these groups, each known and loved by their fans for their powerful, moving sounds and their unmistakably radical political content, created an extraordinary atmosphere. For a whole day and into the late night hours, thousands shared and contributed to this breath of fresh air. The performers were inspired, and so was their music. When Rage took the stage in the late evening, the 60,000 or more fans leapt to their feet and never sat down again! We're not able, in this article, to review the fantastic music heard at this concert—but we wanted to let our readers know about some other exciting and important things that went on at the event."

And later...

"The Re-Education Camp connected with a searching that's going on among many of those who'd come to the concert. A couple from Santa Fe, New Mexico said: "We drove 12 hours non-stop. We came for the music and the movement... I feel like they brought the people here who have like minds who feel the same way. There's a lot of people here... This is the most important time for this to be happening. Right now. This is the tip of the iceberg around the world. So here we are. Hopefully we'll see some political change."

Click here to read the entire article.

Tuesday, August 9, 2011

Mixtape for London




If you don't know about what's going on in London you need to get from under that rock you've been living in. In light of that, I thought I would throw some songs together as a sort of soundtrack for the last couple of days over there. Some of them are very meaningful; and others just for fun. (Each link below is for a YouTube video).


The Clash - Know Your Rights
"This is a public service announcement...with guitar!" I love the way this song starts. It's also very appropriate, as the current rebellion in London got started because the police killed a young man named Matt Duggan. The video is also great: it's mostly coverage of various protests and cops being assholes.

The Business - Panic
"Panic in the streets of London..." This is a great Smith's cover!

Rancid - I wanna Riot
Too bad I couldn't find a good video for this. The lyrics aren't great or anything, but the music is awesome.

GBH - White Riot
Had to include this Clash cover from these English street punk legends! This was the best sound quality I could find, as they usually close-out their shows with this song and I don't think it's actually on any of their albums. Lyrics are great tho: "All the power's in the hands/ Of people rich enought to buy it./ While we walk the street/ too chicken to even try it."

Dare to Defy - Shoplifters of the World Unite
Just for fun, really.

Rage Against the Machine - Fuck the Police
Zach and company's cover of this NWA rap classic. They make it sound even angrier than the original!

Sex Pistols - Anarchy in the UK
Honestly, what kind of compilation would this be if I didn't include this song? (Also, nice video with lots of old footage of the band and the youth from that generation).

Muse - Uprising
Not usually my type of music, but I was reminded that this was a great song and video. Plus, these guys are also English. Check out the chorus: "They will not force us/ They will stop degrading us/ They will not control us/ We will be victorious."

Outernational - Fighting Song
This is an awesome song that I wish all the youth in London (and all over the world) would listen to. The video has no images, but it has all the lyrics. "I've got my dreams/ when I sleep./ And I've got these dreams/ that really could be."

The (International) Noise Conspiracy - Smash It Up
"I wanna smash it up/ for all the workers/who spent hours into nothing." This is one of my favorite bands ever and this is the official video from Epitaph Records. Very catchy.

Black Lips - Bad Kids
Lyrics are OK, but the sing-along video is better, as it shows a lot of street-fighting with cops footage.

Nouvelle Vague - Guns of Brixton
A french band I like doing a Clash cover to bring it back around where we started, and just a good way to end this. "When they kick out your front door/ How you gonna come?"